The Song of Songs of Solomon is an echo from the time before sexual love was relegated to the realm of the profane: which is why it has been so difficult for so many people to read it as a poem that is both sexual and spiritual.
As the Christian gospel spread throughout the surrounding Hellenic culture, it was blended with a dualism of body and spirit that was very uncharacteristic of Judaism. It was from Hellenism and gnosticism that Christianity picked up the notions that sexuality and spirituality are incompatible; that celibacy is more pleasing to God than marriage; that Jesus could not be both holy and sexual. But these were inversions of the earliest expressions of Christianity.
MATER CASTISSIMA MOTHER MOST CHASTE
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To highlight Mary's chastity, her effigy is surrounded by two of the classical symbols of Our Lady's virginity, namely:
Both symbols appear in the Song of Songs, "You are. . . my bride, an enclosed garden, a fountain sealed." (Canticle 4, 12).
- Hortus conclusus
(enclosed garden)- Fons signatus
(sealed fountain)
The typical half-image of Mother and child form the crown of a tree which bears simultaneously, flowers and fruit. They are symbols of Mary's role as simultaneously virgin (flower) and mother (fruit).
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